after broom has remixed tracks by gennaro le fosse and johannes heil for cocoon recordings, it was now unquestionably time for a musical exclamation mark under his own name. and so, the rave mix of sq18 is setting a hedonistic imperative for the club year 2012 right from the beginning, quite naturally interspersing a mentasm rave signal after about three minutes within its driving detroit dub techno, but never conveys the sense of nostalgic mustiness

hot on the heels of midlands placement ep, aus returns with a remix 12inch featuring lone & motor city drum ensemble. both producers deliver deep, melodic reinterpretations of the originals, with lone accentuating midlands signature sound (whilst flawlessly incorporating his own neon tinged atmospherics) and mcde dubbing out the original, pushing it into throbbing raw cuts territory. both producers are at the top of their game. lone is dominating 2012 with a residency at manchester hot-spot hoya:hoya, a full length dropping in may via r&s that will surely occupy the top of many year end lists, and remixes for radiohead, tensnake & underworld already under his belt. jazz enthusiast motor city drum ensembles sample-based raw cuts series made him a household name within the deep house scene and last years dj-kicks mix set him apart from the pack with its on point mixing and musical diversity. his notable november 2011 boiler room set is considered one of the finest, and is just another example of why mcde has been, and will remain to be, a musical force to be reckoned with. next up on aus will be an ep from bicep & friends with a remix from panoramabar resident steffi.

in its own way, speicher on kompakt extra has always been one of the most uncompromising series in the kompakt universe. starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. thats also where we found the highly versatile sei a, native glaswegian, now residing in london and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within uks capital. he is well known to paint vivid and emotional sonic pictures that touch on rather more considered house and bass tropes, prizing feeling over fads and staging an impressive balancing act between hardcore beat science and lush, moody arrangements. this 12 inch is no different, featuring two stellar examples for sei as stylistic reach, rave stabs included. welcome to the many-faceted party that is speicher

incl free mp3- download code, sven kacirek, the much praised multi- instrumentalist from hamburg, releases his third album with pingipung. scarlet pitch dreams presents intimate solo works, following his debut the palmin sessions (2007) and the interna- tional success the kenya sessions (2011), which was honored with german record critics award for the second quarter 2011. whilst the kenya sessions revealed fruitful col- laborations with kenyan musicians, almost every single instrument on scarlet pitch dreams has been played, recorded and produced by sven kaci- rek himself. within these dreamy scéances of per- cussive virtuosity, sven kacirek has effortlessly found his original sound – from the first whirring of the prepared grand in the opener to the massively rolling drumset crescendo in the last track...

within the context of spirals, elements from the levels take on different meaning and significance. these ancient sources of knowledge combined with scientific and genetic theory, can provide valuable tools that can help us broaden our perspective. spirals are also concerned with correct action. correct action in spiral terms is action that is uniquely suited to the individual and the situation at hand. it places an emphasis on practical tools to guide each individual to correct action for him or herself. it does not tell you what correct action is. it gives you a tool to discover that for yourself: your strategy, based upon your unique design.

lowriders remains true to form, keeping it skewed, crooked, and freaky as hell, in their latest limited edition compilation. the power shuffles ep compiles seven of the most forward thinking juke/footwork inspired tunes from all over the planet, into one vicious slab of vinyl goodness. created with a root in the chi town sound, but operating somewhere within the fringe between genres, this album delivers a hyper fusion of style.
7 tracks in total on a limited handnumbered vinyl, including silkscreened cover!

the first single of aka aka & thalstroems new album varieté remixed is the beginning of a series consisting of 3 vinyls which will follow within the next months. dont miss this!! alle 32 remixe auch auf cd erhältlich!

in just one short year coyote cuts has brought you a consistant stream of heavy hitting eps from artists all over the globe. this year for wmc we are back at it again with a slurry of digital releases (15 in total) all dropping within the two months leading up to the conference. in addition we bring you a very special release we have been waiting to drop by our very own corduroy mavericks. included is a great remix by the australian duo the house inspectors of the swingy single >dont ask me<. the b side gives a deeper jazzier side of the c. mavs boys with rainsong and bongo king. all will get plenty of use.
pressing ltd to 200 copies.

nsyde is delighted to welcome another outstanding artists within our little growing family, imugem orihasam. with this ep nsyde indulges his love for pure detroit techno.imugem orihasam succeeds like no other to balance apparent opposites by using cool and clear transparency in contrast to the mesmerizing and warm pulsating soundscapes to create depth of the highest quality. if jeff mills and john beltran would ever have collaborated then it would probably sound like a1 “gleam from distant gate” is one of those tracks which seem quite unremarkable first, but with the time it creates a massiv hypnotic attraction, a wormhole-like effect you cannot escape from. that space seems endless, just right big enough to loose yourself in it. b1 misty evening seems to be just the right soundtrack to build an underwater metropolisis. it starts building a 2 minute elevated tension before its firering on all cylinders. b2 kotoni is clearest balance and harmony. it sooths your soul like the presense of a japanese garden. spirits are floating free – time and space is marvelous! welcome imugem orihasam!

dollys first release in 2012 and immediately setting a high standard for the year to come! this time aroy dee under his mos disguise is delivering the deepness, and this one could be very well one of his strongest releases to date. present as usual are his trademark vintage synths & drums, but this goes beyond the average retro chicago stuff. skillfull on the machines while its very clear the music comes from deep within. marcel fengler on remix duty adds a little techno punch, which perfectly tops of this very fine release.

this selection is about the tracks that would inform henry street, the tracks found deep within the complex strings of its dna, the tracks championed by pettibone on kiss or by washington at the studio, or those dredged from crates across the city. half-heard anthems from italy tracked down through forensic research in the record shops of the five boroughs, rare dub versions of classics that you wont be finding on ebay anytime soon. this is real disco.
>these are the secret weapon tracks, but more personal to me and people from my world. i m pulling records from different places. this is how i play records. its not fake. i have never been a set dj and always played just about every genre of music, from the fastest uptempo disco anthem, to the most ghetto rap jam to zeppelin. music is music. a good dj can play it all. a great dj can play it all technically correct!<

nice price deal !!! after the amazing success of his ram records debut single, >brainstorm / echoes< hamilton is back with a release that contains a pair of undeniably epic tracks. hamilton runs riot with his impeccable production skills to offer a 12 that has already gained support from all the major players within the dance music scene, including andy c, hype, culture shock, chase & status to name but a few.

26 years old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks. releases on dessous followed and last year andrade also made an impressive debut on poker flat recordings. making the first release of his own label street knowledge, its time for andrade to take centre stage himself with the >sugar ep<. its bass-heavy groove is met with a busy vocal sample and refined piano chords, evoking a picture of his street knowledge. sugar is the soundtrack to a loft party. classics snares, mysterious synths chords and crowd noises. fantastic. keeping it old school and rolling with the bass lines and keys, andrade wraps up the originals with irreversible and berlin. for this first release, djulz offers two excellent remixes of sugar in order to confirm the power of this release.

exceptional debut album!!early support by groove magazine, resident advisor, oliver hafenbauer, gerd janson, lawrence more to come.. sometimes things in life never occur as planned. so it happend to edward aka. gilles aiken, when the berlinbased artist was looking for a new apartment. somehow he found himself moving to a very small fairy tale-like village called teupitz in brandenburg, germany. it was there were edward rediccovered his deep love for nature and silence. with long extensive walks along the teupitzer lake he got to the bottom of his true love for house music. within the silence he could still hear a distant pulse of basslines ringing. and after release for giegling, blooming soul and white it was time to make the next step. with all the nature surrounding him, he finally felt able to get all the music out. music which ended up as his debut album, simply called teupitz

the formation tojami sessions - consisting of michel niepenberg, tom bucher and jacek darnowski hailing from frankfurt - is a new project on dessous records, yetl their members are already veterans in the game: tom and jacek have been producing together since ‘92 and are best known for their releases on the raum…musik label using the pseudonym skiebÄck. in ‘99 tom joined the crew as drum player. digging a diverse variety of house music, their first dessous 3 tracker sits perfectly within the labels sound aesthetic. >depth< is a long building journey - providing moments of deep contemplation before lifting you higher again with the injection of sheer, raw energy: a fierce kicking bassdrum, congas and a strong bassline that sneaks in through the backdoor are smoothed out by strings, warm chords and a nicely flowing rhodes solo. >fame< oozes with funk - raw, metallic rhyhtms that owe something to vintage chicago. they keep it classic with the closing track >lake st. clair< that sports a bumpy analogue bassline and shimmering keys. dessous records still riding high!

astounding new material beamed via shemales atomic allotment,concealed in an outermost shadowy recess of darkest hyperborea. the musical paintbrush creates a harsh, barren landscape for hell transformation screens as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style.there is an indescribable and mystifying tension which builds within the work of shemale, the opening cut, dead city photographs being a prime example. the soundbite here simply cannot pay justice to this tack as a whole,as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding,with deadly,steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of tomb. converted followers of the atmospherically articulate shemale will need no further persuasion,as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of atomic allotment. special limited edition pack includes matte postcard insert.

here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

internal sync are jackspot and calapez, a portuguese duo that made fame within a short period of time. on fortek their deep techno cut “dif dif”. a rough bassline supplies for the bounce and the minimal drum programming hits the spot. the duo go crazy with a housey juno-esque synth, a floor banger for sure. on the b-side we have fortek wonderchild “mr. stefan tretau” on remix duties. he takes dif dif into even deeper territories adding a tech-club feel a la ame and charles webster. the mix slowly builds and builds. a wonderful voyage.

after several appearances on the label, kareem comes up trumps again with an excellent first solo single release backed by a wonderful remix from white doyen oskar offermann himself.how low can you go the opener track acts as a discreet, structured, driving and some how dubby house tune that keeps a nice layer of grit beneath the fingernails. its loopy character imparts the feeling of virtually remaining unchanged but it nevertheless staidly evolves within its sonic borders and imparts a sensual quality of all-enveloping warmth. oskar offermanns interpretation of how low can you go introduces skipping melodies that are transmitted as choppy discoesque pulses and rhythmic modulated bass sounds are the preferred form of punctuation. indeed the remix is intended to be a dj tool, but like all of oskar offermanns recent house works, it builds smoothly as though every element was simply waiting in the wings to make its appearance at the proper moment, and – just before it finishes up – sounds like it could go on forever.

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

we are proud to release the first ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. on no man is an island with the unreleased dennis brown vocal version ,an influential song, with a clear message. desert nights a kind of desert rock meeting dub on a road movie. butiama an actual place, where variations and consistency in rhythm is within people s dna. this ep also includes a flowing rmx by our good friend thomas fehlmann. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

with the very first release on polynom thomas stieler presented an euphonious sounding interpretation of look for the sin, which stems from daniel schwarzs dubby original. the labels second release is coming up now titled my soul. this track has the signature of thomas stieler and shows, what emotion and commitment within arragement means. thereby a warm, phantasic balanced and primarily harmonic and qualitative valuable house track that creates a gracile level of comfort by its deep and artful temper relatio focussing the dance floor as balanced staging area. in the soulmate-remix by less the original is applied by a dynamic portion of drive, which absorbes the aesthetics of my soul and polarises therefore with pressure. doing this less is never loosing the reference to the classic message of the original. hes just additionally seasonning as taste is as well-known varying. strictly ltd, no repress

a product of his surroundings, wasserfall creates organic, electronic music using an array of tools - including a nord modular g2x, a roland tr 909, a roland sp 404 sampler & an apogee ensemble – but dont think for one minute that its all about the gear, and that he is just a technical producer. field recordings feature heavily in his work, and you can often find him patrolling the streets of oslo or berlin hunting for the perfect sound that will convey his ideas within the piece. anders is just as at home creating scores for film as he is producing rhythms for the dance floor, during his time in berlin he created a contemporary soundtrack of the old russian silent-fim classic a man with a movie camera (dziga vertov 1929) which was performed live in berlin, bremen and in bergen. after all this is said and done, the e.p boils down to just one thing - house music for the heads. nothing lightweight, just the heavy goods. long time coming on vinyl, dont miss out on the result of a year of work getting it just right, if you managed to bag the previous #gcw vinyl you know we take absolute pride in our output. a strictly limited pressing. mastered to 180g vinyl by the one & only john dent @ loud mastering.

at last - the essential montreal ep tracks mastered properly! comes in a twice hand-stamped brand new printed downwards jacket tracks unavailable on vinyl for some years regis explores the various forms and effects of repetition within this d.a.f. inspired 1995 british underground techno classic. properly mastered for the first time by our very own techno luvvy matt colton - this is truly linear, hypnotic, low-fi machine funk.back in the early days of downwards only the surgeon titles were mastered properly as oconnor didnt think his own productions were worth it(having been transferred direct from tape)features a brand new downwards printed jacket and two hand stamps.

the londinium ep is the latest release on uzuri recordings and welcomes chicago skyway back to the fold. not that hes been away too long, having produced a full 12 release and contributed to the from chicago turin amsterdam & dublin with love ep just last year. we also welcome hakim murphy to the label – with his credentials it was only a matter of time before our paths crossed!as the title suggests, this release was inspired, conceptually at least, by our nations capital, and its apparent that sean has spent quite enough time here to get the gist of the place, with the b-side tracks entitled traffic and noise, respectively. im sure he loves it here, really.musically, he keeps it closer to his windy city heart – very clearly reflecting his roots, in fact. as a dj and club promoter in mid 90s chicago, sean frequently shared the decks with some of the citys biggest talents at that time – cajmere, gene farris and spencer kinsey (gemini) among them, and one could say that theres an audible relief flavour to a-side, london streets, with its stripped-back, hypnotic stomp. its fitting that hakim murphy remixes the track, coming from similar roots within chicagos scene, and his own reworking retains the drawn-out essence of the original but brings a whole new hips-and-shoulders groove to the track.

for fans of glaubmir001 .. raumakustik should be a notion – at the latest after their successful single >glaub mir doch< this year. the duo from dresden, germany was always on the go in 2011 with several and remixes for labels like deich records, klang gymnastik or keimzelle. and right before 2012 they strike back with >traumtanzen<. this is pure dancefloor pleasure and already approved within the last months. to complete the label debut of grain audio mister marcapasos (toka beatz, housesession, dusted decks) delivers a real house remix to get you back to the good old days.

for the past decade or so, polish musician michal jacaszek has been exploring a new, resolutely modern chapter in eastern europes long, storied love affair with classical music. his creations are painstakingly crafted collages of electronic textures and baroque instrumentation, harpsichords being swarmed by woolly static one minute and pulled apart by billowing wind the next. ambient music - if we can generalize unnecessarily for a second - is rarely so sonically challenging.
limited to 700 copies, including free download coupon.

byetones new record > symeta< opens with a combined track - a transit - since >topas and >telegramm< could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years

here comes the new echocord colour. after some big releases with luke hess, skudge, sebastien san, mike dehnert c& resoe here comes the next bomb, this time by mikkel metal. mikkel has been our main act on echocord since the beginning 10 years ago, and is getting more and more active within the musicscene. his new ep on echocord colour he presents his rough side of the genre, raw warehouse infused dubby grooves. both tracks are perfect for the peaktime dancefloor, for the fans of levon vincent, kassem mosse and the berghain sound of berlin.

ultra limited! limited to 500 copies worldwide - reverse board sleeve features gold metallic pantone logo and lettering front and back, pantone matched labels, plastic inners.
darkestral was set up as an imagined cinematically orientated sound space allowing producers creative room to make music of a more visual nature, within or outside of their percieved genre. continuing this theme, transportation aad was dreamt up to bring together drkstrs (label owner) short film script ideas with boddikas exemplary talent at interpretation and production so that over the course of the studio sessions, the script could come to life in audio form. the refers in part to a vessel (transportation) descended from the darkestral mothership and to the recording path process, (aad) analogue analogue digital.

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

the two dubstep pioneers at the top of their game. the deadly concision, the rhythmic punch and dramatic timing, the spry, side-to-side detailing of a cavernous stage, the crisp-biscuit vocal sampling and middle eastern percussion — together, their sound signatures are not so much totalled as squared. truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago

if ever there were more committed and fervent neighbours within the house and disco community today, then house of disco records would be flying the flag loud and high in the front garden for all to see.

this fall dumb unit returns with what is sure to become a household name in electronica: thomas feriero aka avatism. known recently for his moody releases on labels such as mike shannon s haunt and tiefschwarz s souvenir, his dark yet hopeful productions are already receiving plaudits by some of the scenes top artists. opening the doors to new musical members has not been a common occurrence at du which therefore means that this release must be something special indeed. and it is. dark, brooding yet full of energy and substance. all tracks hit with a welcome hint of catchiness and hooks embracing what is current in dance music today, without losing sight of the label or the artists individuality. 4 quality tracks of equal stature command full attention on this ep. one of the the labels most exciting releases to date and one which signifies a strong 2012 ahead!

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

this new release celebrates good times and great memories from years ago ... back where it all began! if you like 90s lead-sounds within modern tracks, this is your next >must have< vinyl. brandcash once again delivers a pumpin mix with a little old-school spirit, this time featuring d jamency ! d jamency began dj-ing in 1996 and has performed with several main djs: umek, joris voorn, carl cox, dave clarke... since 2001 he has released many titles on known vinyl labels.

the first release from shoebox. a four track ep. shoebox is proud to present their debut release, a four track ep called >jasmine<. shoebox comes from deep within, creating soul s pastiches.>jasmine< provides uplifting steaming dusty soul music. this is just the beginning... stay tuned...

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

prestige music is announcing the latest vinyl pressing and first release in the relaunch effort. jeremy howard aka sinistarr hailing from detroit michigan has build himself quite a namesake within drum and bass music. with his signature style of techno infused funk sinistarr adds to his impressive discography with this prestige debut.

after their superb release last year with >dinosaurs<, that came backed with two heavy paul woolford mixes, south german stars alex flatner & lopazz return to poker flat with three new essential cuts. >this< may sound like a curious title, yet the addictive low-slung, electronic funk within will have you chanting >i just wanna love you baby…< in no time! smooth, slinky production comes hand in hand with producers as experienced as this pair! the mysterious future-disco-funk magic of >hapbee< keeps the party stomping as a whole host of vintage gear flavours this cosmic beatdown. rolling and driving forward with relaxed, summery intent it is a seriously positive tune for those smiling, warm feeling moments. >its< offers a similarly challenging title but musically there is no messing around, with a shaking, simmering slice of modern funk characterised by tonal synth play, percussive splashes and echoed vocal madness - all dripping with funk!

flying donkey music, after the first two releases by samuel l session and kirk degiorgio got the respect as one of the new more interesting labels in the underground stream. as third release we can appreciate the homeboy claudio mates m2g4: he shows us something new and different, which is hard to catalogue, just a techno/house track or a simple piece of electronic music. tribute mix by claudio mate is a perfect journey in deep, dark, emotional, emotive lands within an amazing epic ending with guitars played by luca petrosino (an italian guitar talent). orlando voorn really doesnt need any introduction: his deep divine mix is the perfect mix and balance between raw grooves, melodies and solid bassline like his usual trademark. its perfect for dancefloor people who loves berghain or fabric. david hausdorf is a classical musician from the munich philharmonic orchestra but he is also well known for his old works on labels such as synaptic waves, styrax leaves, salo, lifetime music.

for the third vinyl release of marc antonas >rules of madness< album, dissonant reveals three more unique techno trips. featuring >crush to pulp<, >guru< and >illegal<, this third vinyl extract from marcs album discovers new dimensions within each quirky piece and follows its ever surprising musical direction.

moving through the worm hole, a track materializes at each stop offering emotive tunes that pull at your senses. alexander shows off his skills as you travel into four different universes encompassed within four house yet techno musical adventures. white rhino (deep down beat down) - begins the journey with an up tempo banger in which the bass syncopates ever so nicely. a message about the white rhino insues quickly and more synths come to take you on a space age trip. transcend - smooth synth line with a deep kick, leads us to gritty yet soft pads that build and build as vision of stars are created by waveforms. deep within - bassline and melodies blare out as the beat pulsates, and out of no where a voice comes up from deep within the darkness. the abyss - ending the journey is a super deep tunes that relaxes your mind, as you go deeper and deeper with the bassline, chords, and vocals…

here comes the new echocord colour. after some big releases with luke hess, skudge, sebastien san, mikkel metal & resoe here comes the next bomb, this time by mike dehnert. this is the second ep by mike dehnert on echocord colour. we are presenting one of the currently most interesting berlin modern techno music producers today. he is founder of the label fachwerk records on which he is publishing under his own name. his live acts and dj sets are as remarkable as his productions and you wont ever hear him playing any self-pleasing or incidental grooves. mostly mike is playing his own unpublished tracks. he did just put his ability to the test within collabarations with clone rec and the clone basement series. for the new echocord colour he did 2 striped killer berlin flavoured techno-dub/house tracks, for all dancefloors out there. it also includes a remix by roman lindau

in following up marcellus pittmans killer eastside story, seventh sign waste no time in bringing another red-hot act to the label. a member of the legendary underground resistance / los hermanos / galaxy 2 galaxy crew, santiago salazar has also enjoyed success as a member of the trinity (with mad mike banks and gerald mitchell) and more recently as ican, not to mention his many solo outings. his pedigree is unquestionable, a fact not lost on the many labels that have played host to his music, including submerge, planet e, motech and now seventh sign. santiagos sound is full of soul and warmth and is presented using state of the art production and a rich palette of modern sounds, as this e.p. demonstrates to devastating effect... hot!

embassy brings you two concrete tracks from the artists who have been on the tip of everyones tongue, clicks + whistles. comprised of jorge hernandez and pete evans, they have been gaining an incredible amount of steam within the bass music community over the last year.a. the fagship tune from clicks + whistles, cranberry goose, showcases pete and jorges flair for richly dense harmonies and immensely inspired sound design.b. referencing their infuences of southern hip hop, the pair give us one sexy enough to make anyone in the club dance with out thinking twice, radiator, is a soothing jam dripping with heart and passion.

>mr. saxobeat< is a single by romanian recording artist alexandra stan, released in 2011. the song was a success in romania, remaining at number one on the romanian top 100 for eight consecutive weeks, being the longest-running #1 in romania in the 2010s. the song is stans third single from her upcoming debut album. the song has became her most successful single to date and her first to chart outside of romania. >mr. saxobeat< is an up-tempo eurodance song with house elements. the song contains a love message, where stan speaks of a man she is attracted to and the way he makes her move. it has charted in many countries across europe including a number-one status for many weeks in the italian singles chart, in denmark and in slovakia and within the top ten in other sixteen counties. this includes a peak of number-three in the united kingdom, the highest charting record by a romanian artist in the uk. outside europe, the song peaked at number twenty-five in the canadian hot 100, at number-thirteen inside the us latin pop songs and right on the top of the us hot dance airplay chart, being the third romanian act to do so, after inna and edward maya. it is also a current hit in latin america. so far the most popular remixes are not available on vinyl anywhere, so for your playing pleasure we bring you 5 hot remixes along with the original version for you to spin! be the first to grab a copy!

walls are once again getting set to frazzle minds and make hearts swoon with the release of their second album >coracle< (26th september) - set to once again capture the shimmering layers of guitar and synths, ecstatic melodies and emotive vocals that made their debut an instant classic. their first single >sunporch< reinforces the ground they explored with last years >gaberdine<, a towering arpeggiated bass line surrounded by a swirling web of guitars and percussion. alongside an exclusive edit of >sunporch< and an unreleased ambient crooner, >tight spots< this is an essential followup that will leave you starved for what awaits within >coracle<.